The Cancer of Time

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Free

1.0.1for iPhone

National Film Board of Canada – Office national du film du Canada

Developer

2014年12月06日

Update Date

Entertainment

Category

Age Rating

Apps in this category do not contain restricted content.

Apps in this category may contain mild or occasional cartoon, fantasy or real-life violence, as well as occasional or mild adult, sexually suggestive or horrifying content and may not be suitable for children under 9 years of age.

12+

Apps in this category may contain occasional mild indecent language, frequent or intense cartoon or real-life violence, minor or occasional adult or sexually suggestive material, and simulated gambling, and may be for children under 12 years of age.

17+

You must be at least 17 years old to access this App.

Apps in this category may contain frequent and intense offensive language; Frequent and intense cartoon, fantasy or realistic violence: frequent and intense adult, scary and sexually suggestive subjects: as well as sexual content, nudity, tobacco, alcohol and drugs, may not be suitable for children under 17 years of age.

The Cancer of Time スクリーンショット

iPhone

About The Cancer of Time

An interactive fable about our chronic inability to do nothing.
When did we become incapable of doing nothing? Whenever we have a moment, we pull out our mobile phone.
COME WASTE YOUR TIME!

60% of people say they are dominated by time. And few claim to be at peace with it.

This interactive and mobile application makes us ponder over our chronic inability to do nothing. In the form of a philosophical and playful tale, this application blurs the boundaries between gaming and animation. We follow an ordinary yet endearing character as he leaves a medical examination, suspected to be suffering from the disease of the century: the cancer of time.

Created by Ko-op Mode, Dominic Turmel, Jean-François Nadeau and Stéphan Boucher, The Cancer of Time was incubated at the MIT with the participation of the Open Documentary Lab. This application is the first co-production between the NFB’s Interactive productions studio and France Télévisions’ Nouvelles Écritures.